The "Enfant terrible", the scandalous person, the hope of the German cinema, the new Fassbinder. The director, author and autodidact Oskar Roehler separates the opinions. The actrice Hannelore Elsner even describes him as genius and monster. Roehler got his breakthrough with the film "No place to go", who was celebrated enthusiastically by its audience and critics.

Julian is a psychiatric patient and wants to walk from Berlin to southern Germany. He believes that through the power of walking he can heal his friend's father, who has died of a heart condition. First, he runs into Ju, a young doctor, who he soon meets again by chance. She feels unhappy, searches for her heart and spontaneously joins the likeable dreamer on his way to Tuttlingen, where the sick man lives. In a tourist resort, they are joined by a frustrated wife and mother.

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25-year-old electrician Thomas Tänzer is happily escaping the provincial confines of everyday life in the GDR – to the desert, to work in Algeria. Behind him lie a failed marriage and abandoned studies. But he can't cope in Algeria either. The rules have traveled with him – in the form of his superiors. Unordered solidarity, his relationship with the married Doris, and similar issues cause him difficulties. His father falls seriously ill, and he cuts short his stay abroad. At home, he realizes that his wife and child have become complete strangers to him. Doris, his "Algerian affair," now has a child by him, but treats him coldly. He makes a half-hearted suicide attempt by car, which he survives. When he hears about a disaster in Algeria, he volunteers for service, but is not accepted because of his poor personnel file.

Luigi Cozzi's memories about the production of Dario Argento's "4 mosche di velluto grigio".

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8-part youth series on the subject of love and sexuality. The self-contained episodes focus on young people between the ages of 12 and 18. Their experiences, especially during puberty, are accompanied by contradictory feelings, curiosity and fear, hopes and disappointments. The eight stories tell how they deal with these feelings. They are therefore not to be understood as sex education films, but rather confront young people with the question of the interpersonal significance and the consequences of sexuality in relationships. Topics such as first menstruation, first sexual contact, homosexuality, wanted and unwanted pregnancy, partner problems and conflicts at home are addressed and portrayed, as are the possible psychological consequences of AIDS.